Many people are aware of plastic pollution in the oceans. Photos of turtles or seabirds entangled in plastic garbage went viral in the 1990s, and the Great Pacific Garbage Patch is now the focus of highly publicized cleanup efforts.
Less recognized is how marine plastic waste affects human populations and the unequal burden on different communities. A report, "Towards an Equitable Approach to Marine Plastics Pollution," outlines the current situation and attempts to address the problem.
"We all benefit from plastics, but some people are paying more of the external costs in terms of the environmental damage, well-being issues and just horrendous scenes that they must live within places they call home," said project leader Yoshitaka Ota, a University of Washington professor of practice in marine and environmental affairs and director of The Nippon Foundation Ocean Nexus Center.
Increasingly, the greenhouse gases causing climate change are seen as an issue in which some countries produce most of the pollution while other countries or groups are more at risk from the long-term consequences. Plastic pollution, this report argues, is a similar issue for coastal communities.
The report, published in late November, includes 31 authors from nine countries. It incorporates case studies and analyses from around the world and, more significantly, overarching recommendations for change.
The authors conclude that coastal communities most affected by marine plastic pollution should be better represented when drafting potential solutions. A free virtual event in March will bring together stakeholders from around the world to develop an equity-focused road map to address marine plastics.
The Ocean Nexus Center was founded in 2019 as a 10-year initiative based in UW EarthLab. It includes more than 20 member universities and organizations around the world. Its mission is to bring equity and justice to the oceans on a global scale.
The recently published report covers topics such as:
A call to replace the term "plastic litter" with "plastic pollution." The word "litter" frames the issue on a small scale that can be addressed with better waste collection, disposal or recycling rather than broader industry-wide changes to production.
Discuss the rise in plastic waste during the COVID-19 pandemic, including the use of masks, gloves, and face shields and the resurgence of single-use and individually wrapped products.
Chapters that provide place-based case studies, including interviews with residents about their experiences with marine plastics. Locations include a fishing community in Ghana, coastal mangrove forests in Ecuador, and an island in southern Japan comprising tourists and residents.
Two analyses of waste cleanup programs -- Washington state's Marine Debris Action Plan and the "Fishing for Litter" program in the Netherlands.
A section with multiple authors focused on the island of Aotearoa, New Zealand. Authors write that Maori perspectives have been disregarded in efforts to address marine plastic pollution despite the more significant impact and importance of aquatic environments for Maori people's livelihood and culture.
A review of international rules for plastic waste disposal -- a patchwork of regulations including the Basel Convention, a nonbinding agreement that the U.S. has not signed.
A critique of Coca-Cola Co.'s "World Without Waste" initiative as an example of industry-backed solutions to marine plastic pollution that focus on individual consumers rather than more significant, more permanent solutions that could reduce plastic waste.
"Coca-Cola is the world's biggest producer of plastic waste, and it serves as a case study of how multinational corporations engage in waste reduction and corporate social responsibility," said lead author Jessica Vandenberg, a UW postdoctoral researcher in marine and environmental affairs who wrote the analysis of Coca-Cola's initiative.
"As we highlight in the report, one of the key actions we see as imperative for addressing marine plastic pollution is refocusing the problem as one of plastics production rather than as an issue of waste management," Vandenberg said.
Mari Shibuya, a Seattle-based artist, created digital watercolour paintings throughout the document. The report is funded by The Nippon Foundation and is intended to be an accessible, comprehensive summary of the issue that can be read by policymakers, educators and other audiences, Ota said.
The March event will bring together audiences to implement the report's main recommendations. Visit the Nippon Foundation Ocean Nexus Center website for forthcoming event details.
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